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Cry:O

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Gleaming Bodies | Sapporo International Art Festival 2024
→Seedlings and Offsprings | Pioneer Works 2023 
The Receiver, 2023. Photographer: Daniel Greer.



Mixed media
Installation
As a way of examining humanity’s innate desire to sustain and to perpetuate its species, Cry:0 is a series of mixed-media sculptures inspired by biological and medical innovations such as cryonics and egg freezing, each designed to interfere with natural life cycles.

Embedded with a cooling mechanism that causes thin layers of frost to appear on its surface, the works also reference scientists’ research into subglacial lakes in Antarctica and ice-covered oceans deep beneath the surface of moons orbiting Jupiter and Saturn, where probing devices search for traces of life from ancient and unknown worlds.



The Mothership 

2023
Sculpture 

51 X 36 X 3 inches
129.5 X91.5 X 7.6 cm

Silicone, Bronze, Aluminum, Customized cooling system
The Cradle

2023
Sculpture 

52 X 38.6 X 4.3 inches
133 X 98  X 11 cm

Silicone, Bronze, Aluminum, Customized cooling system
When I Try to Hold You

2023
Sculpture 

70 x 30.5 x 30.5 cm

Bronze, Customized cooling system, Aluminum, Acrylic, Steel.
The body that opens
2023
Sculpture 

75 X 21 X 11 inches
190.5 X 53.3 X 27.9cm

Bronze, Glass, Aluminum, Customized Cooling systems
 
The Receiver
2023
Sculpture 

62 X 21 X 11 inches
157.5 X 53.3 X 27.9 cm

Bronze, Glass, Aluminum, Customized Cooling systems
A Gentle Held

2023
Sculpture 

72 X 12 X 12inches
182.8 X 30.5 X 30.5cm

Bronze, Aluminum, Bio-leather made from shrimp shells, Customized Cooling System
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Gleaming Bodies


Cry:O Series



Sapporo International Arts Festival
Sapporo, Japan

January 20 - February 25, 2024

Xin LIU creates an immersive exhibition space resembling a womb-like environment. It references the female womb as a cosmic creator, contemplating the perpetuation of life and the fantastical possibilities that technology may offer beyond human existence. Central to the room, which has illuminated white floors that glow from beneath, sits a piece titled The Mothership that explores humanity’s inherent drive to sustain and propagate our species. The work is inspired by biological and medical innovations such as cryonics and egg freezing, as well as seed banks where seeds are stored to preserve genetic diversity for the future. Within the piece, a cooling mechanism is incorporated, causing a delicate layer of frost to emerge on its surface. This element references scientific research conducted in subglacial lakes in Antarctica and the ice-covered oceans of Jupiter and Saturn’s moons, where exploratory instruments search for signs of ancient and enigmatic life forms.  


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Frieze Los Angeles 2025






Frieze Los Angeles 2025
Los Angeles, USA

February 20 - 23, 2025

Xin Liu debuts The Theater of Metamorphoses at Frieze Los Angeles 2025, presenting an immersive installation that interrogates humanity’s pursuit of immortality through technological intervention. Centered on a monumental triptych, the exhibition features a bronze cast of the artist’s mouth encased in semi-transparent, spine-like structures, with a cooling mechanism that evokes frost-laden extraterrestrial landscapes—bridging themes of cosmic exploration and the fragility of preservation. Accompanying mixed-media sculptures, such as Primula Flowers, merge industrial materials with organic forms, reflecting on humanity’s manipulation of natural cycles through cryogenics, biomedicine, and genetic engineering. Liu’s speculative narrative weaves together the aesthetics of failure, the tension between transformation and impermanence, and our yearning to transcend biological limits, inviting viewers to contemplate the boundaries of existence in an era of rapid technological and cosmic ambition.




In Press:

Xin Liu | ‘The Theater of Metamorphoses’ — Flaunt

Five Emerging Artists to Watch at Frieze Los Angeles 2025 — Frieze

Artists Capturing the Pain, Discomfort and ‘Social Unease’ of IVF — Frieze

The 10 Best Booths at Frieze Los Angelos 2025 — Artsy

Suho’s Top Picks from Frieze Viewing Room — Frieze